Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,   Related Paintings of DAVID, Gerard :. | The Holy Women and St John at Golgotha dfv | Virgin and Child with Four Angels de | Altarpiece of St Michael dfg | The Marriage at Cana (detail) dsg | The Judgment of Cambyses (left panel) drah |
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SWEERTS, Michiel
Flemish Baroque Era Painter, ca.1618-1664 Flemish painter, active in Italy, Syria and India. He arrived in Rome in the mid-1640s, perhaps in circumstances similar to those depicted in his painting The Landing (Paris, Louvre). In 1646 he was registered as living in the Via Margutta in the parish of S Maria del Popolo, where documents indicate that he continued to reside until 1651, together with other Flemish Catholics like himself. In 1647 he attended a meeting of the Accademia di S Luca, not as an academician but simply as an associate. The following year he was visited by the Dutch poet Matthijs van de Merwede (1625-?1677), who later recalled the extremely poor welcome he received from the artist. On 1 June 1651 Sweerts was employed by the Antwerp merchant Jan Deutz to represent him at the Papal Customs to collect seven pieces of woollen cloth from Leiden. Sweerts's relationship with the Deutz family was always close: he painted portraits of Jeronimus Deutz (Amsterdam, Rijksmus.) and Balthasar Deutz and a series of the Seven Acts of Mercy for the family; some scholars have identified this series with the cycle of paintings divided between the Rijksmuseum, Amsterdam, the Wadsworth Atheneum, Hartford, CT, and two private collections
Sevak Ram,Patna
ca.1810-1815
Ivan Shishkin
Russian Painter, 1832-1898 was a Russian landscape painter closely associated with the Peredvizhniki movement. Shishkin was born in the town of Elabuga of Vyatka Governorate (today Republic of Tatarstan), and graduated from the Kazan gymnasium. He then studied at the Moscow School of Painting, Sculpture and Architecture for 4 years, then attended the Saint Petersburg Imperial Academy of Arts from 1856 to 1860, graduating with the highest honors and a gold medal. He received the Imperial scholarship for his further studies in Europe. Five years later Shishkin became a member of the Imperial Academy in St. Petersburg and was professor of painting from 1873 to 1898. At the same time, Shishkin headed the landscape painting class at the Higher Art School in St. Petersburg. For some time, Shishkin lived and worked in Switzerland and Germany on scholarship from the St. Petersburg Imperial Academy of Arts. On his return to Saint Petersburg, he became a member of the Circle of the Itinerants and of the Society of Russian Watercolorists. He also took part in exhibitions at the Academy of Arts,